More Fun in South Shreveport, Louisiana

In previous articles, we looked around Olympia, Washington. Let us take a quick diversion back to the US South. 

On our way from Vicksburg to Houston, we overnighted in Shreveport, Louisiana. I wanted to do a last documentation in a southern neighborhood that shows elements of traditional wood architecture, decay, and neglect. In the morning, we drove west on 70th street in south Shreveport and looked at some of the side streets. The light was soft and even, quite suitable for architecture. 

Click any picture to see it at 1600 pixels on the long dimension.

Quiet times on Bates Street (Fuji Acros film, Spotmatic F camera, 28mm ƒ/3.5 SMC Takumar lens)

Cottage on Bates Street (24mm ƒ/3.5 SMC Takumar lens)

Bates Street house

Bates Street was quiet, with empty lots and houses that were boarded up. I could not tell if they were going to be repaired. If they were to be demolished, no one would have bothered to secure the window with plywood, so possibly there was a plan to restore some of them. Still, it is not a pretty scene. 

Bethany Street

Bethany Street house (24mm ƒ/3.5 SMC Takumar lens)

Bethany Street had many empty lots, meaning the former houses had been razed and the lots graded. 

Time for some crawfish at 925 E. 70th Street

7020 Line Avenue - not much happening now

The Little Shanty art store on Line Avenue, also unfortunately closed

Line Avenue runs north south. It was more commercial than the side streets but was very quiet. The street just to the right of The Little Shanty was East 71st Street. It offered a bit more photographic material.

Shed on E. 71st Street

Fixer-upper shed on E. 71st Street (28mm ƒ/3.5 SMC Takumar lens)

Asphalt shingle cottage, 569 E. 71st Street

Asphalt shingles were common mid-century for inexpensive housing. We look down on it now, but it was a practical building material because it was easy to install, inexpensive, long-lasting, and repelled bugs and vermin. It did not need repainting, as do shingles or clapboard.

 

Non-cottage, E. 71st Street

Duplex under renovation, E. 71st Street

Another duplex, E. 71st Street

Some of the houses on E. 71st Street were being renovated. That is a hopeful sign.

Muscle Therapy Center, 7101 Southern Avenue

This clinic is in a rather bunker-like brick building with burglar bars over the windows. It was unfortunate pragmatic (=cheap) architecture and looked unkept.

This finishes our quick tour on October 26, 2023, of a neighborhood in south Shreveport, Louisiana. Maybe I posted too many photographs. But, I may never return to this part of the world, although one never knows. 

I took these frames with my Pentax Spotmatic F camera and 24mm or 28mm SMC Takumar (thread-mount lenses) using Fuji Acros 100 film (exposed at EI=80). These lenses were multi-coated and among the best mid-price 1970s optics for SLR cameras. Praus Productions in Rochester, NY, developed the film. I scanned it with a Plustek 7600i film scanner operated by Silverfast Ai software. I made minor contrast adjustments with Photoshop CS6.  

Olympia in the Morning, Part 2 (Oly 05)

Let us continue our morning walk through downtown Olympia, Washington. It is quiet, and most stores are closed. I saw only 5 or 6 homeless people his time. Two years ago, there were 10s or 100s of them. How did the city purge them? Regardless, downtown Olympia is still rather grungy.

206½ 4th Avenue

Dumpster on 4th. I bet that stuff looks better than most of my wardrobe. 

Capitol Way view south

Alley parallel to 4th Avenue (25mm ƒ/4 Color Skopar lens)

My favorite Olympia Alley (25mm ƒ/4 Color Skopar lens)

Jefferson Street view north. I have not yet seen a train, but I occasionally hear them, usually at night.

Frog Pond Grocery in the historic South Capitol district (50mm ƒ/2 Summicron-DR lens).

Argh! Another Taco truck, this time on Plum Street. The fire system is for the hot sauce? 

Well, enough of exploring downtown. Time to walk home and have another coffee.

State Avenue view west (50mm ƒ/2 Summicron-DR lens).

Proceed north and soon you reach East Bay. On many mornings, it is still as a mill pond. The buffleheads and surf scoters love it here.

East Bay from Olympia Avenue NE (50mm ƒ/2 Summicron-DR lens). Swantown Marina is in the distance.

The Bigelow neighborhood has many charming traditional cottages from the early 20th century. It is not as elegant as South Capitol, but is more modest and free from the background drone of I-5.

 

Traditional cottage on Quince Street (25mm ƒ/4 Color-Skopar lens)

Historic Quince Street house

This ends our walking tour around Olympia with Kodak Gold 100 film (another one of my experiments with expired film). I used Pentax Spotmatic F and Leica M2 cameras. We will see more of Olympia in future updates. Thanks for walking along.

Olympia in the Morning, Part 1 (Oly 04)

Early morning in December, the light is soft and misty in Olympia. Well, it rains much of the time, so indeed, the light is softened and colors are muted. It was time to experiment again with color negative film. One early morning, I left my car at a repair shop on Capitol Way and walked home through the city. Here are some random scenes on the way.

Capitol Way, early morning

Time for some wiggling, 117 Columbia Street NW

Alley parallel to State Street

Alley parallel to State Street

Rhythms Coffee, 210 4th Avenue W.

According to Rhythms, "Stay tuned for some of the finest coffee on earth, never before served in Olympia." I think the best coffee I ever drank was in Colombia, but that is a story for another day.

 

It is fishy at 116 4th Avenue

Capitol Way view south, rather uninspiring

OSSA Skinworks, 109 Capitol Way N. Could they make my skin look good?

Washington Street view south, also uninspiring

Every city in USA seems to have a Washington Street. This one is not too interesting, but it does have some older architecture.

This ends Part 1 of our morning walk. Please type "Olympia" in the search box if you want to see older Olympia articles.

I took these photographs on long-expired Kodak Bright Sun (i.e., Gold 100) film using my Pentax Spotmatic F camera and the 50mm ƒ/1.4 SMC Takumar lens. This is one of the mid-1970s versions of the 1.4 lens with multi coating and without elements containing thorium salts (some early 1970s versions yellowed because of the thorium glass). Most of my exposures this morning were at ƒ/2 or ƒ/2.8. It is convenient to have a large aperture lens. 

This Gold 100 is more grainy that the Gold I shot years ago when the film was in production. The colors have that old film look; this roll survived the decades reasonably intact. Still, years have passed, and I suggest you not seek out Gold 100. I wish Kodak would reintroduce it. I tried their contemporary Gold 200 and thought it was too grainy. But in 120 size (medium format), the modern 200 might be fine. The Gold 100 decades ago was superb.

Heading West Through Texas, October 2023

We were in a hurry heading west. It had been stressful to escape Houston via US290, but at least we could use the HOV lanes. As dusk approached, we passed through Somerville, a town about half way between Houston and Austin. I saw a large BNSF rail yard and had to stop and take a frame or two in the gloomy dusk light. 

The view west, Somerville, Texas (Fuji Acros film, 135mm ƒ/3.5 SMC Takumar lens hand-held)

A day later, we were still driving west through Texas. Wow, what a large state. Long-term readers may remember that in November of 2022, we drove to the Rio Grande Valley. That took two days, also. 

Lockwood Street, Tahoka, Texas (55mm ƒ/1.8 SMC Takumar lens)

Drizzle was falling, and we need to take a stretch break. As I recall, there was no coffee shop in Tahoka. 

Sorry, I could not resist, a gaudy phone pic. of a former gas station with a cover to keep off the rain. 

This was a frustrating trip. I wanted to spend at least two weeks on the trip and do some creative photography, but we had to rush to Olympia to meet the moving truck. One of us should have flown to Olympia and then returned to some airport en route to continue a more leisurely drive. Texas offers a lot of interesting photo subject matter, even in small towns like the examples above. It has been fun exploring Texas. But will I ever return to the great open expanses? 

Please type "Texas" in the search box to see previous articles. 

I took the black and white frames on Fuji Acros film with my Pentax Spotmatic F camera and 55mm and 135mm lenses.

Continuing Decline, Johnson Street, Vicksburg, Mississippi

Red outline shows Johnson Street (from ArcGIS Online) 

Johnson Street is one of many semi-hidden narrow Vicksburg roads whose location was dictated by the area's complicated loess topography. Many roads followed the crest of ridges. Johnson Street follows a ridge that sweeps downhill from South Washington Street (just north of Lee Street) into the valley that is now occupied by the Vicksburg High School ball fields. Many people probably never go down Johnson unless they specifically planned to see a resident there or possibly turned in by accident.

Twenty years ago, many of the houses along Johnson were occupied. But one by one, they were abandoned or the city condemned them because of dangerous or unsanitary conditions. Then the city razed the buildings. Here are photographs of the remaining houses in April of 2023.  

This is the site of the former 748 Johnson Street after the city demolished it. A bulldozer graded the dirt down the hill. Contractors do this work. According to a 2020 article in The Vicksburg Post, it cost the city about $25,000 to raze a simple wooden house and clear the land of debris.  

728 Johnson Street (Kodak Ektar 100 film, Pentax Spotmatic F camera, 28mm SMC Takumar lens)

728 Johnson Street

This little mid-century house at 728 had a serious gullying problem below the front right corner of the foundation. The gully served as a convenient trash dump. I looked in the door and a homeless guy was sleeping in one of the bedrooms. He and some other guys called this place home. 

733 Johnson Street (28mm SMC Takumar lens)

733 Johnson Street (28mm SMC Takumar lens)

Parlor of 733 Johnson Street (35mm Super-Takumar lens braced on a window ledge)

No. 733 was a typical Vicksburg house where the front door was approximately at street level while the back projected out over the gully, supported by wood pilings. Hundreds of houses like this were built early in the 20th century, and they survived for decades despite their precarious supports. Once the house is abandoned or condemned, the lot cannot be redeveloped.

Downhill side of 733 Johnson Street

This is the gully (valley) just north of Johnson Street. This looks wild and impassible, but deer, raccoons, and possums wander these wooded spaces throughout the city. Snakes do, too.

735 Johnson Street (28mm SMC Takumar lens)

This is another modest mid-century house. I assume it was built on a lot once occupied by an older early-20th century cottage. The back was perched over the valley like other houses on Johnson Street.

Church bus, Holly Grove Missionary Baptist Church, 746 Johnson Street

754 Johnson Street (50mm Hasselblad lens)

This ends out short walk on Johnson Street. All these houses have been demolished since I took these photographs. Slowly but surely, Vicksburg's older neighborhoods are becoming less densely populated as these older houses are torn down.

The 2023 photographs are from Kodak Ektar 100 film from my new/old Pentax Spotmatic F camera.